Thirst – Escape Into Reading

Publisher: Penguin Group Dutton, Dutton

Date of publication: March 5th, 2024

Genre: Horror, Vampires, Queer, Fantasy, Gothic, Lesbian, LGBT, Fiction, Historical Fiction

Purchase Links: Kindle | Audible | B&N | AbeBooks | WorldCat

Goodreads Synopsis:

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic.

It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet.

In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother’s terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back.

With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

First Line:

The day is white; its glare burns if you look straight at the sky.
Thirst by Marina Yuszczuk

Important details about Thirst

Pace: Medium

POV: 1st person (Maria and Alma)

Trigger Warnings: Thirst contains themes that include the death of a parent, blood, murder, terminal illness, death, suicide, violence, suicidal thoughts, grief, body horror, chronic illness, gore, physical abuse, sexual violence, medical content, suicide attempt, pandemic, confinement, sexual assault, medical trauma, child death, racism, and classism.

Language: There is moderate swearing in Thirst. There is also language used that might offend some people.

Sexual Content: There is graphic sexual content in Thirst.

Setting: Thirst is set in Buenos Aires, Argentina. Maria’s (the vampire) backstory is set throughout Europe, but she ends up in Buenos Aires reasonably early in the book.

My Review

Thirst is a dark book. It starts dark (with Maria’s mother giving her to her Maker) and ends dark. Usually, this would put me (I do like a bit of light showing up in my horror/gothic books). But in this case, it worked. I finished this book more disturbed than when I started it.

Thirst’s storyline is separated into two parts. The first storyline follows Maria. The storyline explains how Maria became a vampire, her exploits across Europe with her sisters, her fleeing Argentina, her killings in Buenos Aires during several periods, her friendship with an immigrant, and her deal with that immigrant. I did enjoy this storyline. I found it well-written, and it scared me at times. It also showed that Maria did have a little bit of humanity left in her. But it also showcased what a monster she was.

The second storyline follows Alma. This storyline focuses on Alma, her mother’s illness, and how it was affecting her and being a mother herself. I did sympathize with Alma. She had a lot going on in her world and was losing control. This isn’t a gradual descent into depression; the author plunged us in with her. Her feelings of motherhood were interesting (I related to the dentist scene because I had been in that exact situation with one of my kids).

The storylines merge when Alma accidentally releases Maria. She doesn’t know what she did except that something happened in the vault, and Alma couldn’t account for a few hours. It isn’t until Maria makes herself known that Alma puts two and two together.

The horror angle of the book was terrific. Again, to reiterate, this is a very dark gothic book. The author kept the vampire myth very simple, and in that simplicity, she was able to write a truly terrifying story. Maria didn’t glitter, she couldn’t daywalk, and she wasn’t exactly beautiful (Alma’s first good look at her likened her skin to corpselike). But the horror also extended to Alma’s mother’s terminal illness. During Alma’s storyline, her mother went from being bedridden and at home to being hospitalized with tubes coming out of her. It was terrifying for Alma to see and witness.

The end of Thirst was interesting. I understood Alma’s decision and what she asked of Maria. And I also understood why Maria said yes. It wasn’t a happy ending. I mean, for Alma and Maria, it was. But for everyone else in Alma’s life, what she asked would have long-reaching repercussions. And that made me so sad for all of those people.

Many thanks to Penguin Group Dutton, Dutton, NetGalley, and Marina Yuszczuk for allowing me to read and review this ARC of Thirst. All opinions stated in this review are mine.

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